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33: English Church Organ by William Hill and Sons, London, 1860-1890

Compass: two 4-2/3 octave manuals  : C’-g”
: 2-1/2 octave pedals       : C-f
Keyboard: doubly arcaded ivory naturals, ebony sharps
Pitch: A440 Hz
Tuning: equal tempered
Action: manuals: mechanical (tracker)
pedals : electropneumatic
Controls: drawstops
Console: English oak
Case : “Gothick” style in Scottish pine
Dimensions(mm) : 102″ x 102″ x 200″
Restoration by : Pipe Organ Reconstructions Pty Ltd
Sydney, 1999-2000
Specification:

GREAT                                SWELL
(R jamb)                            (L jamb)
open diapason       8′         open diapason      8′
stopped diapason  8′         stopped diapason 8′
dulciana                 8′          salicional              8′
octave                    4′          octave                 4′
flute                       4′           fifteenth              2′
twelfth             2-2/3′          oboe                    8′
fifteenth                 2′

COUPLERS                PEDAL
(L jamb)                    (R jamb)
swell to great           bourdon            16′
swell to pedal           principal             8′
great to pedal           bass flute          8′
fifteenth             4′

Concert Use:
M.Brimer/P.Lasala: 28.05.00 (also Sharpe organ)
C.Rae Gerard/K.Power: 29.04.01 (also Sharpe organ)
P.Lasale: 26.08.01
P.Lasala: 28.04.02
M.Brimer: 11.08.02
M.Brimer: 27.05.07
M.Tsalka: 21.05.17

 

Hill001.JPG

This organ, by England’s greatest 19th century builder, is a typical medium-sized example of an English parish church instrument. Comprising a single unenclosed manual on its installation in a Hertfordshire parish church, a Swell division was added on relocation to Kent towards the end of the 19th century. It was moved to yet another Kentish parish church before being declared redundant after the widespread closure of Anglican churches during the late 20th century. It was located by Mark Fisher of Pipe Organ Reconstructions, who arranged its purchase, restoration and re-erection in the Collection.

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    • Harpsichords
      • 1. Flemish Double Virginals (“muselar”) by Hans Ruckers jnr, Antwerp c,1623, copy by Frank Hubbard, Boston, Mass; assembled by Alastair McAlister, Melbourne, Vic
      • 2. Italian Virginals by J.B.Boni, Cortona 1617
      • 3. French Harpsichord by Pascal Taskin, Paris c. 1769
      • 4. English Virginals (transverse or bentside spinet) by Baker Harris, London, 1776
      • 5. English Harpsichord by Burckat Shudi, London, c, 1775
      • 6. Italian Harpsichord by Roberto / Federigo Cresci, Livorno 1778
    • Fortepianos
      • Fortepianos “Viennese” action
        • 7a. Viennese Grand Fortepiano by Johann Andreas Stein, Augsburg c. 1780
        • 7b. Viennese Grand Fortepiano by Johann Andreas Stein, Augsburg c. 1780
          • Test2
        • 8. Viennese Grand Fortepiano by ? Josef Johann Brodmann or ? Louis Dulcken c.1810
        • 9. Viennese grand fortepiano by Franz Marschick c.1825
        • 10. Viennese Grand Fortepiano by Ignaz Bosendorfer c.1843
        • 11. Viennese Square Fortepiano by Johann Christian Gottlieb Irmler, Leipzig, c.1845
      • Fortepianos “English” action
        • 12. English Grand Fortepiano by Matthew and William Stodart, London, 1793
        • 13. English grand fortepiano by Muzio Clementi, London, c.1805
        • 14. English grand fortepiano by John Broadwood and Sons, London, 1817
        • 15. English upright grand fortepiano by John Broadwood and Sons, London 1816
        • 16. English compensating grand fortepiano by William Stodart, London, c.1820
        • 17. English downstriking grand fortepiano by Robert Wornum and Sons, London c.1851
        • 18. Anglo-French concert grand fortepiano by Pierre Erard, London, c.1862
        • 19. English square fortepiano by Jacob and Abraham Kirckman 1778
        • 20. English square fortepiano by John Broadwood and Son, London, 1797 identical to Clinkscale I,34.34
        • 21. English square fortepiano by George Astor, London, c.1805
        • 22. English square fortepiano by Muzio Clementi, London c.1808
        • 23. English square fortepiano by John Broadwood, London c.1851
        • 24. English cabinet fortepiano by John Broadwood, London c. 1812
        • 25. English cabinet fortepiano by John Broadwood and Sons, London c. 1850, No. 8698
        • 26. English ‘piccolo’ upright fortepiano by Robert Wornum, London c.1850
        • 27. Grand fortepiano by Ignaz Pleyel, Paris 1841/2
        • 28. Grand fortepiano by Pierre Erard, Paris, 1841
        • 29. French square fortepiano by Erard freres , Paris 1814
        • 30. Square fortepiano by Henri Pape, Paris 1834
        • 31. Grand pianoforte by Bluthner, Leipzig, c.1870
    • Organs
      • 32. John Avery: English bureau organ, c.1800 (original)
      • 33: English Church Organ by William Hill and Sons, London, 1860-1890
      • 34. North European Organ after Godfried Silbermann and others, mid 18th century (digitally enhanced replica)
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